Pierre Rigal Review
Despite just a short 3-day run at the
Lilian Baylis Studio at Sadler's Wells, Pierre Rigal's performance merits a review
The show was fascinating and represents the limitless imagination and creativity of the
world of dance.
Rigal's performance takes place in a box in the middle of the stage, initially measuring
less than three and a half metres wide. As the box begins to shrink in size, primarily as
the ceiling drops in dramatic leaps, the figure on stage begins to seem bigger and in turn
more ominous. Rigal's ability to manouevre within a very small space is key to the
credibility of the set piece and is in apart due to his early career as a 400-metre runner
and hurdler. He studied mathematics before turning his skills to contemporary dance
and this show makes good use of the all his skills as he adapts to the increasingly
restrictive, self-imposed space.
The programme is thrilling, in part because the audience waits in anticipation for the
ceiling to lower. How will he be able to move within the box? And how low will
it go?
Curiously, Rigal uses his limited props - the chair and the light - to engage the audience
in a dialogue with the inanimate 'characters'. In particular, the light/oblique
looking object starts to move on its own. This is mirrored by the increasingly
robotic movements of Rigal - which makes us wonder whether he is human or robot.
As the two struggle for 'control' one interpretation is that this physical fight
represents the prop (an inferior robot) - being overcome by a superior robot played by
Rigal.
Rigal, of course triumphs, as he
represents Man - but is he just another mechanical device or is he a human trapped in his
own ever decreasing personal space?
Despite recognizing some of the tricks of the trade and the illusion of space on the
stage, Rigal opens up a world of imagination versus reality by questioning whether we are
all just humans trapped in our own imaginary box or just mankind believing that his
freedom is more (or less ) reality than illusion.
A perfect metaphor for today's society.